|
State
of Anime at the End of the 20th Century
Some of you avid Anime
Academy students may know that I was introduced into anime
during the early 1980s when Harmony Gold brought Robotech
to the United States. Since then, I have seen and been involved
in my fair share of diverse anime and various aspects of Japanese
culture. Here's my take on the progress (or perhaps it's regress?)
anime has undergone in the last twenty years...
|
An
'80s classic
|
|
Many people consider
the 1940s and 1950s to be Hollywood's Golden Era. In comparison,
the Golden Era of anime would be the 1980s. During this period,
if one didn't possess a stunning screenplay and hired the
best artists, there would be little chance of getting the
work published.
You must recognize that
producing anime at this time was a painstaking process, involving
painting every backdrop and character by hand, as well as
utilizing inferior equipment. Consequently, some of the best
anime appeared during this time: Nausicaä
of the Valley of Wind, Wings
of Honneamise, Grave
of the Fireflies, My
Neighbor Totoro, Maison
Ikkoku, Bubblegum
Crisis... the list goes on and on. I'd be hard-pressed
to name even one bad anime for every good one that appeared
during the 1980s.
|
A
classic for the future
|
|
Because of vast improvements
in the melding of hand-drawn cels and CGI, it has become increasingly
easier and less time-consuming to pump out anime like Model
Ts on a Henry Ford assembly line. The result of this is that
every Tom, Dick and Takeshi believes they can turn a profit-making
anime, despite the fact that he or she may not be qualified
to do so. What happens because of this is that the talent
pool out there for artists, animators and storyboards becomes
considerably thinned out. Quantitatively, there were many
more anime produced during the '90s than the '80s (forgive
me for not knowing exact figures off the top of my head).
What this means is that there are a lot more quality anime
in the '90s due to sheer volume, but proportionally
their numbers have dwindled. As a result, the artistic relevance
of anime has lost some of its power; what you have now are
some anime whose entire purpose is to provide ecchi fan service.
What does this mean
for the 21st century? At this point my crystal ball grows
hazy. My mind is put at ease with the recent releases of some
inventive and inspiring anime (FLCL,
Serial Experiments:
Lain, Love
Hina, Inuyasha). Regardless of the outcome,
I look forward to what future offerings the art has in store.
I welcome Anime: The Next Generation with open arms.
|