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aoi_n_asul
04-06-2006, 06:06 AM
thanks to the forum i managed to get off my lazy @$$ and wrote something for a change.

i finally finished this story after a year or so. it has undergone a lot of revisions and changes but i still think it needs changes. i would really appreciate your comments and suggestions.

this one is quite long ^^v and it is kind of cheesy and mushy. needs a lot of improvement too, if i think about it.

He said, she said
(tentative title)
This was his brother’s song. His fingers played out the gentle, rolling melody his brother composed when he was still alive. It conjured up many of his memories, becoming both a burden and a blessing at the same time. It reminded him of who his brother was, of his kindness and selflessness. It also became the comfort he desperately needed the day his brother died. And now, it was his shield against the woman he had come to know, the woman who knew his guilt, his vulnerability and sorrow, but the one who must never know of his love.

She was standing by the window, with a faraway look in her eyes as the sun caused shadows to dance around her pretty face. She never thought of herself as pretty; he thought she was the most beautiful woman he had ever laid eyes on. She was beautiful – brown eyes, long lashes and cherry lips – but even more beautiful was her grace, her smile, her laughter and her voice that took his breath away everytime he saw her. He stole another look, held his breath in wonder and in awe, then forcefully reminded himself to keep playing.

“James, I’d like to talk to you about something.”

Even though she had been there for quite a while, her voice still caught him by surprise. She had turned to face him, her gaze unflinching, steady and never faltering. Her eyes were mellow and sad, yet he sensed her excitement as her cheeks turned pink.

“What is it?” Concentrate. Play. Don’t stare. For Christ’s sake don’t stare. Even from a distance, he was already captivated under her spell. She was looking at him thoughtfully, one slender hand twirling her pearl necklace, looking hesitant and gorgeous. Then, she smiled at him. Damn, damn, damn!

“I’m not sure if I should say it.”

“Of course you should.” Pause “Tell me.”

“I’ve met someone.”

His finger slipped on the wrong key. His mistake was so abrupt and unexpected that she stopped and looked at him in surprise. Shit. Swallowing hard, he continued playing. After a moment’s silence, all he could manage was a tight, monosyllabic “Oh.”

“I’ve been seeing him for quite a while..” she said, her voice trailing off as she averted her gaze.

“And?” he asked, fighting the urge to keep his voice casual and nonchalant.

“But he doesn’t know it yet. I’m afraid to tell him. I like him James.” She stared meaningfully at him “I’d like to know what you think.” Concerned at his sudden silence and frozen stare, she drew closer, touched his shoulder and said “James? Are you alright?”

He was not alright, he was not OK. He could not even begin to describe what he was feeling. It was as if the fates were conspiring against him. This hurt way too much. But he sensed her joy and saw her eyes. He would not let her see how much her news troubled and tormented him. He would be happy for her and allow her this chance for happiness.

“That’s great. I’m glad,” he heard himself say, in an abnormally high voice.

For some unknown reason, she blushed. Then, remembering something, she sighed.

“It’s been quite a while since Sean died…”

Four years to be exact. Four long years of silence, guilt and pain. It took Sean’s death and four years for him to pull himself together. He was now on his junior year in college (on a scholarship, which was really saying something), his grades above average and his school record clean.

“I know,” he said, cutting her in mid-sentence. As if he needed reminding about Sean. He didn’t want to hear the rest of her words. It was too painful. He tried to drown out her words with the piano but stronger still were the memories he would rather forget. Inside his troubled mind, he was screaming. First Sean, now him! But I saw you first…I loved you first. I still do. Have you ever forgiven me for what I did to Sean??

He first saw her in school as he waited for Sean to finish his project. From the very first moment, he knew he loved her, loved the way she walked, smiled. Sean, upin arriving, commented “Who’d you meet??”

“What?”

“You’re red as an apple! C’mon, give!!” Sean teased, grabbing his head and ruffling his hair.

He felt himself blush even more and he forcefully yanked himself away from Sean, stalking off angrily. He never revealed his feelings to his brother, less he suffer his brother’s endless taunts and laughter. He contented himself with staring at her everytime he had the chance and stalking her (discreetly) when he could.

“Denise?” So that was her name.

“Yeah. She’s a great girl” His classmate looked at him closely. “Would you like to meet her?”

He turned beet red. “No. Thanks.”

Denise, Denise, Denise. Pictures, drawings – her pictures, her drawings – filled every available page of his notebooks. He liked her, liked her a lot. He was her most ardent suitor (she had quite a number), even if he never approached her. No over loved her as much as he did. His time at home was taken up by dreams and thoughts of her. He lagged behind in school, failed to do his requirements, was being cheated by Sean out of their weekly allowance, being reprimanded by his parents everyday, sprained his ankle and missed basketball yet none of these seemed to matter. He was happier than he ever felt before, and he constantly had, plastered on his face, what Sean described as a ‘dumb, stupid smile.’

Maybe I should try my luck. I can’t be that bad an option. He stared at his reflection and after objectively inspecting his features, he as matter-of-factly concluded that he was a decent looking bloke. The opportunity never came. Either he was too late or it was never for him. Maybe it was meant for someone else – someone like Sean.

“James, I’d like you to meet Denise” Sean said, a smile lighting up his features. And true enough, she was with him, very much in love. His brother, a serious guy, had a goofy, love-sick smile on his face.

“You guys are a lovely couple” he said with difficulty but truthfully. They were perfect. Who was he to go between them? After all the things and sacrifices Sean did for him, he could not bear the thought of being the one responsible for destroying Sean’s happiness.

Afraid that Sean would eventually learn of his feelings, he began to pull away. He began to rebel, in order to numb out his feelings. He now recalled the hurt and confusion on Sean’s face everytime he talked back. He failed subject after subject, started to drink and smoke, drifting away from Sean.

“I don’t know what’s happened to him, Denise.”

“He hates you. I don’t know why you tolerate him.”

“Trust me, he’s a good kid.”

“He’s jealous.”

“Jealous? Him? No. Someone must have done something to him… I’ll talk to him tonight.”

He’ll never forget that night. Sean’s efforts to talk to him backfired and he left home angry and drunk. Foolish and irrational, it was inevitable that he would get in trouble. Sean came for him just as he was about to go under the cruel blows from the local thugs at the bar. Sean never left him, even as the fists came and the blows fell. Sean died, cradling his head protectively, blood staining his chest, where a knife had eventually found its mark. Sean died – and it was all his fault.

Nobody blamed him but he knew that inside fingers were pointed at him. He was the one who killed Sean. It was an unbearable sin, a sin that could never be atoned.

Her eyes held nothing but contempt for him. Yet, as she saw him each day, carrying with him his own personal hell, she felt her anger ebb away. His eyes, full of pain, could never look straight into hers, afraid to see reproach. He stood by, waiting, as he had always had.

She found comfort in him, and together they mourned. Not a single day passed without her crying in his arms, and he fell in love with her all over again. But then a love between was now impossible and so he stood by her silently, yearning for her but never touching, whispering words of love that she can never hear, loving her even from a distance.

And now this.

“I don’t care!” he screamed, missing another key.

She stopped and stared as he struggled to compose himself.

“I’m sorry” he said, continuing with the music “truly, I’m glad. You should tell him your feelings.”


“James..”

“Just do it OK!?” He finally broke down. “ I really wish you happiness, but you didn’t have to look that far to find a man who’ll love you and care for you, a man who would rather keep his silence than to compromise your happiness,” he choked, not minding the piano anymore and the fact that he was spilling all his secrets.

Her eyes slowly filled with tears. She walked over to him and gently touched his face. He stiffened.

“Can’t you see?” she implored

“What can’t I see??” he said angrily. “You love someone else what can I do? It’s your choice.”

“James...please..”

“Go to him then! Tell him how you feel and be happy. Go, get married, have kids, forget me, forget Sean…”

“I can’t.”

He snorted in disbelief. She flushed and with her hands on her hips faced him.
“How dare you?! I loved Sean. Do you know how difficult this has been for me? I don’t know what to do. Sean will always be in my heart and my memories. I will always love him. And that’s what makes it so hard. Do you think what I fell is easy for me? Some would say it’s dishonorable, wrong and unthinkable that after these years that I—“ she stopped, her features softening as she sat next to him, gently taking his face in her hands.
“—that I have fallen in love with Sean’s brother.”

Time stood still for him. He didn’t notice anything else and he didn’t care. All he wanted was for this moment to last for as long as it could, their faces inches apart, her warm breath fanning his face, her gentle hands pressing against his skin.

“James, I love you. And I need you so much,” she finally said, crying openly.

“But you hate me…”

“I did. I blamed you for taking him away from me. I was even jealous of you. All Sean talked about was you, how you were such a smart kid, how worried and how proud he was of you. I just couldn’t see it yet. I didn’t know what I felt then. I chose to hate you."

She touched the scar on his upper lip, the scar the reminded him everyday of that fateful night.

“But I found comfort in you. You shared my pain and endured a greater loss than I’d ever know. You were very open but you never revealed anything. Then, I saw your eyes. Sean’s eyes. Eyes full of sorrow and hurt. And you were so kind, so wonderful. You helped me learn forgiveness and you gave me another reason to smile. You became my life. I hid my feelings from you for as long as I could, afraid of what you would think of me. You never really revealed what you felt for me. I’m not afraid anymore. I love you.”

He finally looked into her eyes. “You have no idea how long I’ve wanted to tell you the same thing. I loved you, even before Sean did. I wanted you to be happy. I love you. I still do.”

She took her face into her hands, gently pulling him to her, softly kissing him, nice and long. When their lips finally parted, she was breathless. He simply smiled. They sat together in silence for a long time. He held her tight, hardly able to believe that she was really his. Then a though struck him.

“You think Sean’s OK with this?” he blurted out nervously.

She laughed. “James, you are so clueless. He knew.”

“What?”

“Your feelings. I think he did. Before he died he told me to look after you,” she said, suddenly turning pink “He said that I held your heart. Or something like that.”

“Bastard,” he said, laughing goof-naturedly. For the first time since Sean died, he felt lighter and free. Thanks, Sean.

“James?”

“Hmmm?”

“Sean’s song. You’re playing it all wrong.”

He stared as she took his hands in hers. Placing them on the keys, she said “He never meant for it to be played alone. We’re supposed to play it together.”

that's it. looong one.

Scoot
04-06-2006, 06:50 AM
Beautiful.

One little passage irked me, try:

"After all the things Sean had done for him - after all the sacrifices he had made - he could not bear the thought of being the one responsible for destroying his happiness."

I think it flows better, and gets rid of some of the awkward grammar?

Neo-Hunter
04-06-2006, 06:59 AM
Very nice I really enjoyed reading that.

shizukuchan
04-06-2006, 09:44 AM
You've basically set up an interesting love triangle where James is the protagonist whose inner struggle is the dramatic basis in the plot. This is the point of origin for the real drama in the story:They were perfect. Who was he to go between them? After all the things and sacrifices Sean did for him, he could not bear the thought of being the one responsible for destroying Sean’s happiness.Whether or not Sean was alive, James consistently kept himself from being really alive. The tragedy of Sean's death is a given, so there's no choice in that, and therefore no potential for character development. The only thing that makes James feel alive is his love for Denise, so the dramatic tension has to be centered around how James chooses whether or not to follow that life impulse. Without sufficient treatment of the circumstances surrounding that choice, James remains an underdeveloped character and therefore not much of a protagonist. His feelings for Denise and his sorrow and guilt over his brother's death should not be seen as primary, but rather as elements which support the character development of James.

There are things to be said about almost every paragraph in this draft of the story, but I don't have much time, so here are a couple of the more critical suggestions:

1. James pretty much gets all the answers handed to him on a platter when Denise makes her confession near the end. This effectively kills the dramatic potential established earlier in the story, not to mention perhaps leaving the meaning of Sean's death in limbo. Whether the story ends happily or not, James has to be allowed to make (or not make) the breakthrough by his own struggle and choice.

2. Denise also has a struggle, so it's also possible to give her a path by which she succeeds or fails in overcoming her inner obstacle (e.g. realizing she loved James all along, confessing her true feelings to James, etc.). As the story is right now, the storyline from Denise's perspective doesn't make much sense in terms of character development. I'm not too clear on what her role in the story actually is.

3. You've set up a story that is very dramatic in tone, so I think the pacing, among other things, would improve a lot if you organized the plot into modules like those found in most plays and screenplays. There are so many places in your current draft where you hastily skipped over points which should have been expanded into further dialogue, description, or exposition. Try to look for the points in the story which have potential to give birth to a scene or section. If you've got an outline of focused scenes or sections, and you know how each of those modules contributes to the overall story goal, then that might help you organize things from a bird's eye view.this one is quite longActually, it's probably far too short. The real length of a story lies in the pacing, not the word count.

aoi_n_asul
04-07-2006, 02:47 AM
thanks so much minna-san. i have tears in my eyes.

~scoot-san: thanks for that note. i'll go over the piece again and do the changes you suggested... thank you sooo much

~cruz: thank you, thank you.

~shizu-san: thank you for giving those suggestions and comments. to tell you the truth, i didn't see those points until now since i wrote the story without considering character developments, protagonists or pacing. it was a story that i dreamed up in class and i wrote/completed it when inspiration came. thank you for the in-depth view. i guess i just really wanted to write a story so i didn't focus that much on the technical side of it all^^ i'll look over it again and hope to do the suggested changes soon, and hopefully do changes with overall organization in the paragraphs. i was wondering though, modules like screenplays? can you give me some examples? i'm afraid im completely clueless.

thanks for taking the time to read ^^ i'm finishing another one and i hope to post it soon.

Javer
04-07-2006, 03:10 AM
Just one small note -- your descriptive ability is good, but too flowery. You don't need to create tons of imagery to get the message across; often, especially in the beginning two paragraphs, it interrupts the flow of the writing and makes it awkward. But it's really hard to catch problems with the flow of writing by yourself, so it's a good thing you came here for advice. : )

shizukuchan
04-07-2006, 04:26 AM
i was wondering though, modules like screenplays? can you give me some examples?Scenes or sections are the modules of most stories. If you look at a script for a play or movie, then it's easy to see how the story is broken down into acts and scenes. Novels usually have scenes as well, but the scene divisions are usually not marked for the reader.

(Btw, W. Somerset Maugham is a good example of a novelist who writes with dramatic structure in mind. He was also a successful playwright, so the organization of his novels somewhat resembles that of his plays. Here are two of his best known novels: http://www.online-literature.com/maugham/
You can see how each Roman numeral is a scene (usually a short scene) with a specific focus. Other novels have scenes, of course, but it's a little more obvious with Maugham.)

Almost any movie or most novels will be written in scenes or sections, each with a specific focus in terms of building up to the climax. If you're looking for them, they're not too hard to find. If there are books or movies which you really enjoy or respect, then it can be enlightening to go back and take notes to see how the writer uses each scene to build up interest or suspense.

I've enjoyed learning from Studio Ghibli films, among many others (including anime series and Hollywood films). Castle in the Sky was one I analyzed recently. Here's a rough idea of how I started thinking about the breakdown of the scenes as I reviewed them on video. In typical Miyazaki style, there's a series of descents into states resembling sleep or death:

1. Pirates attack the military airship. Sheeta falls, foreshadowing her identity as a princess of the air.

2. Opening credits. Artwork here is based on classic paintings of the Biblical tower of Babel, a story of the human ambition to build a bridge to the heavens and master both earth and sky.

3. Pazu meets sheeta. Pazu is the main protagonist, and this scene is the threshold of his adventure. The spell of his ordinary life has been broken forever, and there's no turning back - for reasons soon to be revealed.

4. Sheeta awakens and meets Pazu. This is a very detailed scene. There's an instant affinity between the two characters. Pazu's trumpet, his pigeons, and other details suggest his intimate relationship with nature. Of course, Sheeta is the same way at heart.

...anyway, there are a few dozen more scenes which build up to the climax where Sheeta and Pazu understand the value of the pendant and all their hopes and dreams thus far. Like all living things, Sheeta and Pazu belong to the earth (this is the main theme of the whole story, and you can see how that is supported from the very beginning scenes), so their final heroic act is to send everything back to where it belongs.

The point of all this is that a lot can be learned by identifying the scenes in a story and understanding how each scene has a specific focus to contribute to the overall plot. If you know your own story that well, then you're sure to see a lot more clearly what works and doesn't work in your current draft. Each part has to belong and work together toward a specific end. For the whole story, you should be able to answer briefly and clearly these two questions:

1. What is the overall story goal, i.e. what is this story really about?
2. How does each scene or section specifically contribute to the overall story goal?

If a scene or section doesn't clearly contribute to the whole, then it needs to be edited or cut. And if you look at the progression of scenes with purposes that are well-identified, then you can see whether parts need to be added or taken out.

A lot of writers think that "real" writing is based on inspiration. But that's rarely true. Writing is a craft, so analysis and revision are always necessary (unless you really are touched by God or something). Any writer who really cares about her story is ready to take all the raw material of inspiration and take it apart to see how much of it is relevant to the story goal. A writer who cares is also going to have the guts to look at all the good, bad, and ugly of her current draft.

And if I'm not being clear, or if you have more questions, then don't hesitate to ask.

aoi_n_asul
04-09-2006, 02:51 AM
thanks javer, i'll remember that. i agree that lots of heads are better than my own. thanks for reading and i hope that you can drop by here in the future too ^^

shizu-san, those suggestions are kind of hard to do but i'm keeping them in mind as i will revise the 1st story. writing is indeed a craft but without inspiration then it will be too technical and dry. by inspiration i mean that time when those words that come out are just right, conditions outside the house are perfect (rainy days...) and that sort of things ^^ thanks for the input, i really appreciate it.

i've got another one up. hmmm, its not a story, its just an article/thoughts/essay on being an otaku, where otaku=anime lover (for a lack of better word).

The anatomy of an otaku

Adaptation—the ability of a specie to adjust to its environment, changing and altering certain features to maximize their capabilities and skills, satisfying an inherent need. Such changes are designed to allow the specie superiority and a greater chance for survival.

These changes and adaptations of physiologic features can be seen not only in lower forms of life but in higher species as well. An example will be your ever-changing and evolving otaku, encompassing the enthusiastic noob to the seasoned veteran.

The otaku, in interest and bearing, is a unique individual, set apart from the human population. Their anatomy has been designed to ensure the satisfaction of the bearer’s purpose—to live and breath anime. Thus, several alterations and changes have been made to accommodate the typical otaku’s daily needs.

The eyes of an otaku are characterized by one, same thing: dark, scary, puffy…eyebags. This is the first thing that changes in an otaku and the cause of such ranges from a variety of reasons, including an all-nighter spent in watching Naruto episodes in DVD or Animax, the first 24/7 anime channel (24 hours…omigod…24 HOURS?) in cable television. Other reasons can include: countless hours spent in front of the computer maintaining websites, downloading for pictures, movies, factoids, creating wallpapers to show one’s love and devotion and from simply crying one’s heart (and eyes) out after Flame of Recca ended its nth rerun on local tv. However, these eyes should never be underestimated, in terms of long-distance and detailed-vision capabilities. These eyes are equipped with extra-sensory nerves that allow the eyes to sight anime impulses miles or inches away. These impulses will turn your sleep-deprived otaku into a stark, raving, mad chatterbox.

The otaku’s nose, like the eyes, are also equipped with mysterious sensory fibers and enzymes that allow otaku’s to ‘smell’ anime. Although how anime can be ‘smelled’ is yet to be researched, the truth attests that otakus can find anime merchandises in very unlikely places, just by turning up their noses.

Another special feature of the rabid otaku is its neck. The neck muscles, specifically the trapezius muscle, is conditioned in a way that allows the neck maximum twitching power. This ability comes especially useful when an otaku is trapped in a jeepney or bus; once the senses has picked up an anime trail, the neck involuntary twitches left and right in an effort to sight and behold the anime. It is also useful when an otaku maintains conversation with several otakus.

Common among otakus are their hands, usually long and slender, with ink blots all over them. You’ll find also that an otaku’s hand are abnormally calloused and developed as an otaku will spend numerous hours drawing and doodling anime characters and pictures, until a certain dexterity is achieved. Portfolios are common and so are doodle-filled books and notebooks. Subjects range from characters and costumes, to weapons, to individual body parts. A note-worthy fact: otakus are one of the most environmental-friendly people as they have a knack for recycling papers, books and any clean leaf they can find for their doodling sessions.

The otaku’s ears are also honed to auditory perfection. The auricles, pinna and bones of the ears are designed to identify and distinguish different RK’s 1st opening and 3rd ending song from other sounds, identify the seiyuu behind the face in just one setting and is able to shut off other undesirable sounds for maximum listening pleasure.

The stomach of an otaku is made of rubber, thus has the ability to withstand long periods of hunger. Far from being an anorexic, the otaku is a walking, talking and living piggy bank, finding ingenious ways to save up money, hence an otaku can be a tad bit frugal.

The otaku’s feet are made for walking—really long distances. No shop, home or boutique is safe from the otaku’s feet. Whether it be in a 10-storey building or a shop in the city’s deepest and darkest eskinitas, an otaku is sure to deliver.

An otaku’s brain has the capacity to absorb anime jargon and lingo, process information tantamount to just about every character detail and dialogue, programmed to remember plots, subplots and fillers from every anime conceivable, designed to learn and process anime’s native language, crafted for utmost creativity and filled with ideas for the propagation and domination of anime in every conceivable aspect of life made by man.

A look in the otaku’s nervous system reveals that an otaku has nerves of steel which allows them to move mountains, face hell and damnation in pursuit of anime nirvana. The epinephrine and norepinephrine levels are elevated, thus, an otaku is a constant joy to be with, albeit, weird and exhausting at times.

And finally, there is the heart. The heart of an otaku is as big their allowances (^^) as they will only allow you to borrow their precious collectibles after you have succeeded in the test and rituals for bravery, loyalty and the ability to return. An otaku’s heart is sincere, open and unbiased. Otakus are happy to serve and ultimately to convert you into one of them. They are one of the world’s nicest people, beautiful inside out. The heart of the otaku is its life force. It is the source of passion and happiness that overflows to the people around them. It has the right degree of softness that makes them unashamed of crying their heart’s out after a character dies, yet it is also strong and resilient enough to allow them to accept and learn from the realities of life.

Being an otaku is an adventure, and one finds himself enjoying and appreciating whole new worlds and a myriad of stories in the quest for glory, honor, friendship and loyalty. I should know. I am an otaku too.

:computer:

Neo-Hunter
04-10-2006, 05:48 AM
well that was good. The anatomy of an otaku was a good title the story flows well.

aoi_n_asul
05-31-2006, 02:53 AM
i wasn't able to finish my stories but i did finish some drawings. the first one was drawn during high school, the second recently drawn (the proportions are off), and so with the third. the 4th's crowded a bit, since the cousin scanned the pictures at the same time. mind, i can't draw without the reference pic at hand, so i did copy them but did not trace over the originals =^^=v here they are, and if you can, please comment ^^ many thanks!
http://i30.photobucket.com/albums/c350/bluejunkie123/8bc02556.jpg
http://i30.photobucket.com/albums/c350/bluejunkie123/5227107f.jpg
http://i30.photobucket.com/albums/c350/bluejunkie123/img014.jpg
http://i30.photobucket.com/albums/c350/bluejunkie123/309d5db5.jpg

Spilled Milk
06-04-2006, 01:52 PM
They are pretty good :) I'd like to see some original drawings from you. :) If you say you can't draw without a reference, and don't keep practicing it..of course you won't be able to. so practice practice practice! <3 Keep it up!

aoi_n_asul
06-06-2006, 09:45 PM
point taken ^^ my original drawings are not very good but i will try and practice some more. thanks SM!

aoi_n_asul
08-24-2006, 06:38 AM
some drawings that i sketched.

http://i30.photobucket.com/albums/c350/bluejunkie123/img025.jpg
colored pencils on my course outline ^^

http://i30.photobucket.com/albums/c350/bluejunkie123/img024.jpg
this i'm still thinking if i should submit it for a t-shirt design contest in our college.^^