This is the least known of the two anime adaptations of Ikeda Ryoko's manga (the other one being the larger than life Rose of Versailles). If you think for a minute that it is any less intense than its famous predecessor, you are going to be proved wrong.

Brother, Dear Brother consists of several stories within a main plot that are nicely connected together by the narration of the main character. It also has some of the most gut-wenching moments in anime history, making dramatic episodes in series like Full Moon wo Sagashite pale in comparison. This is the best study on the different way people love each other; sometimes twisted, sometimes fraternal and even tragic, but always filled with intensity.

One of the reasons why this anime can stir emotions in such an effective way is because of the direction by Dezaki Osamu. He is no stranger to dramatic anime, and even less so in the shoujo arena, having directed Aim for the Ace! and Rose of Versailles. It is ironic, however, that the strength of this series is also its downfall. Dezaki's style of animation relies heavily on techniques that are incredibly artsy but can be considered passé in today's animation industry. Sugino Akio's designs are a product of a specific era and do not translate well to more contemporary anime, making the final product look dated. I don't mind old anime being dated, but not newer anime.

Regardless of the flaws, the storytelling is brilliant and witty, and poignant dialogue is always present. This anime requires a little bit of patience, since it is like a pressure cooker; it simmers until the steam comes out in full force. Once this anime gets on a roll, you have a hard time turning away from it.